WHY PULP!
E-PUBLISHING GURU AARON PATTERSON LETS ME SPOUT OFF ABOUT NEW PULPS, OLD PULPS, AND WRITING FIGHT FICTION . . .
Far too much of today’s fiction output is bloated filler designed to turn books into 700 page doorstops under the false assumption more is better. If you’re like me, you don’t have the time or patience to plow through 700 pages to read a story better served in 300 pages – or less.
The writers who work on the pulp magazines from back in the day understood this. Their audience wanted stripped down yarn filled with action, twists and turns, all with the point of providing reader satisfaction.
Hero pulps from the ‘30s and ‘40s, such as The Shadow, Doc Savage, and The Avenger, pull major collector’s prices today. To a lesser extent so do the weird menace and aviation pulps. Western pulps can still be had for bargain prices as can many of the romance and sports pulps.
The best of the sports pulps, Fight Card Magazine, however, demands the same high collector’s prices as the popular hero pulps. The stories in Fight Card Magazine were a definite cut above the stories in the multitude of other sports pulps. The most collectible issue of Fight Stories Magazine contain two-fisted tales of Sailor Steve Costigan written by the creator of Conan, Robert E. Howard . . .
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